Sally Smart

Lives and works in Melbourne, Australia

Selected Solo Exhibitions                              

 
Selected Group Exhibitions

Awards

Collections

National Gallery of Australia, Canberra;
National Gallery of Victoria, Melbourne;
The Art Gallery of South Australia, Adelaide;
Queensland Art Gallery, Brisbane;
University of Tasmania Collection;
Museum of Contemporary Art, Sydney;
Geelong Art Gallery, Geelong;
Latrobe Regional Gallery, Morwell;
The University of Melbourne Art Collection, Melbourne;
Deakin University Art Collection, Geelong;
Artbank, Sydney;
Victorian College of the Arts Foundation Collection, Melbourne;
City of St Kilda St Kilda;
John Sands Collection, Melbourne;
Charles Sturt University, Wagga Wagga;
Shell Australia Collection, Melbourne;
Sam and Minnie Smorgon Collection, Melbourne;
The Vizard Foundation Melbourne;
BP Australia;
The Walter and Eliza Hall Institute,Melbourne;
Queensland University of Technology, Brisbane;
Bendigo Art Gallery, Bendigo; Mornington Peninsula;
Regional Gallery, Benalla Art Gallery, Benalla;
Shepparton Art Gallery, Victoria  
Wollongong City Gallery, Wollongong;
Tarra Warra Museum of Art, Victoria;
Museum of New and Old Art, Tasmania;
Herbert F. Johnson Museum, Ithaca, NY;
USA British Museum, London, UK;
Deutsche Bank, Frankfurt,Germany

Selected Bibliography

Maria Tumarkin In Her Nature, Exh.cat., Breenspace, Sydney 2011
Emily Cormack  Femmage Shadows and Symptoms  Exh.,cat., McClelland Gallery, Langwarrin, 2010
Melissa Miles  Decoy Nest, Exh.cat., Greenaway Art Gallery, Adelaide, 2010
Emily Cormack Where I work  Art&Asia Pacific Vol.69 July/August New York, 2010
Rebecca Catching, Jason Smith and Melissa Miles The Exquisite Pirate Ex.cat., OV Gallery, Shanghai
Chris Moore The Exquisite Pirate online review www.saatchigallery.co.uk
Zang Zang Artists are like Pirates Online interview webcast crienglish.com
Jin Sha Zhongjian : Midway Exh.Cat. Wollongong City Gallery
Tyler Coburn Decoy Strategies Decoy Nest online review www.rhizome.org/12 September 2008
Sally Smart Artist text Exh.,cat.Amelia Johnson Contemporary Hong Kong 2008
Melissa Miles The Exquisite Pirate Exh.cat.,Kaliman Gallery Sydney 2007
Susan McCulloch McCulloch’s Encyclopedia of Australian Art Melbourne 2007

Tracy Adler New History, Exh.,Cat., The Bertha and Karl Leubsdorf Art Gallery Hunter College, New York, 2007
Melissa Miles The Exquisite Pirate Exh.Cat.,Kaliman Gallery Sydney 2007

John Nadador Segunda Primer Mundo Exh., Cat.,Jacob Karpia Galeria San,Jose Costa Rica, 2006
Andrew Maekle One to Watch Artkrush Issue #35, 2006 New York, USA
Andrea Inselmann Dangerous Waters, Exh.,cat., Herbert F. Johnson Muiseum, Ithaca, NY,2006
Eleanor Heartney The Exquisite Pirate, Postmasters, exhibition review, Art in America, June /July 2006, New York
AnneMarie Kiely The Exquisite Pirate Belle Magazine December/January 2006
Melissa Miles The Exquisite Pirate, Eyeline, Melbourne July 2006
Lou Chamberlin Art in Sight 2nd Ed., McGrawHill, Melbourne 2006
Ted Colless Essays on Anachronism, The Australian, Sydney 2006
Robert Nelson New Paths on the Old Map, The Age, Melbourne , Mar 11 2006
Jerry Saltz Shipping The Village Voice New York, New York 2006
Wendy Walker Sea Change for Rebels, The Australian, Sydney, May 11 2006
Jason Smith 2006 Contemporary Commonwealth, ex.,cat., NGV, Melbourne 2006
Dinah Ryan Surface Charge Exh.Review Sculpture,, Vol.5 June 2006 Washington USA
Sabine Russ and Gregory Volk, Surface Charge ex., cat VCU arts Anderson Gallery, Richmond Virginia, USA 2005.
Pete Hume, ‘The Arts on the wall’ Richmond Times – Despatch September 23, Virginia 2005.
Murata Yuko Architypes, Real Tokyo, Japan, 2005.
Sebastian Smee, The Shapes of Private Memories, The Australian, March 17, Sydney 2005.
Sally Smart Family Tree House art.es magazine, Madrid Spain 2004.
Deborah Hart Daughter Architect, Art and Australia, Vol. 42, Summer 2004.
Felicity Fenner A Week of Kindness ex., cat Greenaway Art Gallery, Adelaide 2004.
Felicity Fenner Architypes ex.,cat, Charles H. Scott Gallery, Vancouver, Canada 2004.
Georgina Safe A passion to represent The Australian /Feature/Feb 7 2004.
Penny Webb Darkness and Day, The Age, September 24, 2003, Melbourne.
Chris McAuliffe see here now The Vizard Foundation Art Collection of the 1990’s, Ian Potter Gallery,
The University of Melbourne, Melbourne 2003.
Cynthia Wild Conversation Piece Meanjin June Melbourne 2003.
Anna Gray (Editor) Australian Art in the National Gallery of Australia , Canberra 2002.
Deborah Hart Tales of the Unexpected;aspects of contemporary Australian art ex., cat
National Gallery of Australia, Canberra 2002.
Sasha Grishin Flights of fantasy into an alternative reality Canberra Times, Canberra July 2002.
Deborah Hart Art on view National Gallery of Australia Canberra 2002.
Alisa Bunbury Arid Arcadia: Art of the Flinders Ranges, Art Gallery of South Australia, Adelaide 2002.
Erin O’Dwyer Tragic Edge to Farm Images The Courier Mail Brisbane 5 July 2002.
John Neylon Disruptive The Adelaide Review, Adelaide May 2002.
Wendy Walker Skirting around with designs The Advertiser, Adelaide May 13 2002.
Christopher Marshall Interpreting Art Macmillian Melbourne 2001.
Megan Backhouse Pointedly poignant pin-ups The Age, Melbourne, Mar 5 2001.
Karen Ward You must go beyond the obvious Bendigo Advertiser Oct 13 2001.
Maria Kunda Shadow Farm (exhibition catalogue) Bendigo Art Gallery 2000.
Camila Molina Brasil e Australia na Baro Senna O Estado De S. Paulo, Sao Paulo, Brazil, 28 Jul 2001.
Rodrigo Moura Sally Smart retira imagens da sombra Folha Sao Paulo Brazil Jul 26 2001.
AnneMarie Kiely Smart Art Belle Magazine March 2001.
Peter Timms Parameters Head:Design Therapy, The Age, Melbourne Mar 14 2001.
Maria Kunda Riddles ex., cat Tasmanian School of Art 2001.
Helen McDonald Erotic Ambiguities Routledge London 2001Helen McDonald, Erotic Ambiguity, Routledge, London, 2000.
Stephanie Radok, “Parameters Head: A la Ronde Artlink Vol20 #4 December 2000.
John Neylon, “Haunting of the EAF” The Adelaide Review October 2000.
Christopher Chapman, “Four Scenes” Parameters Head:A La Ronde ex., cat Experimental Art Foundation, Adelaide, 2000.
Marcus Baumgart, Parameters Head:A La Ronde (exhibition catalogue) 2000.
Wendy Walker, “Layers of Modernism” , The Advertiser, Adelaide, April 2000.
Rachel Kent, “Family Tree House” (exhibition catalogue) Arco 2000, Project Room, 2000.
Sasha Grishin, “Australian Painting Now “ Edited by Laura Murray Cree and Nevill Drury, Craftsman House,Sydney 2000.
Lara Travis, “Re-emplace” (exhibition catalogue), Earl Lu Gallery, Singapore, 1999.
Binghui Huangfu, “Re-emplace” (exhibition catalogue), Earl Lu Gallery, Singapore, 1999.
Rachel Kent, “Disturbing Narratives: Sally Smart’s Femmage (Shadows and Symptoms)” Sally Smart catalogue, Melbourne 1999.
Jenny Zimmer, “Anatomy of a young artist: Sally Smart”, State of the Arts, Victoria 1998-99.
Robert Rooney, “Smart’s Art Foxes Clever’, The Australian, 9 October 1998.
Anna Clabburn, “Installation Success”, The Age, 30 September 1998.
Kim Mi - hui, “Conceptions of Home Altered in Unhomely” Korean Times 7/8/1998.
Jason Smith, Unhomely, Exhibition Catalogue, Artsonje Museum Kyongju and Seoul, Korea, 1998.
Anna Clabburn, ‘Sally Smart’s Mind Games’ Australian Art Collector No. 3, 1998, p46–49.
Kirsty Grant, “Commission 200 Insects” National Gallery Victoria Magazine June/July 1998.
Adrian Montana, Geelong Art Gallery, Education Kit, 1997.
Donald Williams and Colin Simpson “Art Now Contemporary Art Post – 1970 “McGrawHill, 1996.
Sally Smart, ‘Dora Drawer’ exhibition catalogue, Robert Lindsay Gallery, Melbourne, 1996.
Charles Green, Exhibition Review, ‘Itchy Itchy’, Art Forum, New York, USA May 1996.
Helen McDonald, ‘Feminising the Surreal’ Art and Australia Vol 34, 1996.
Robyn McKenzie, ‘In reality, there’s no place like home’, The Age, Melbourne, 24 September 1997.
Jenny Zimmer, ‘Sally Smart: Prosthetic Parts’, Imprint, Melbourne, Autumn 1996, vol 31, no 1, p.7–8.
Stephanie Radok, ‘Furniture and the body’, The Adelaide Review, Adelaide, May 1996. (p. 28).
Helen McDonald, The Unhomely Body, Contemporary Art Centre of South Australia, Adelaide, 1996.
Helen McDonald, ‘Feminism and the Republic’, Vox Reipublicae (eds J Hoorn and DGoodman) 1996.
Anna Clabburn, ‘Sally Smart:Itchy Itchy’ Asian Art News, Hong Kong, Nov/Dec 1995, p.71
Robert Lindsay, The Shell Collection of Contemporary Australian Art, Melbourne 1995.
Jenny Zimmer, Cut-Outs, Craft Victoria, Winter 1995.
Jenny Zimmer, ‘Metaphor in Body Parts’, The Age, Melbourne, 17 May 1995.
Peter Timms, The Moët and Chandon Touring Exhibition, (exhibition catalogue), Melbourne, 1995.
Janine Burke, ‘Anima: Feminist art since the seventies’, Art and Australia, vol. 23/ no. 3, Autumn 1995, Fine Arts Press, Sydney, 1995.
Sasha Grishin, Searching for Clues for Interpretation, The Canberra Times, 1994.
Amanda King, ‘A secret garden: the work of Sally Smart’, Australian Art Monthly, November, No. 75, Canberra, 1994, (plus cover illustration).
Amanda King, Delicate Cutting, (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1994.
Peter Timms, The Moët and Chandon Touring Exhibition 1994, (exhibition catalogue), Melbourne1994.
Helen McDonald, ‘Where I come from the birds sing a pretty song’, (exhibition catalogue), Geelong Art Gallery, Geelong, 1992.
Amanda King, ‘Sally Smart: Dress’, Agenda, Melbourne, January-February, 1993.
Rebecca Lancashire, ‘Intent on unravelling our patchworked past’, exhibition review, The Age, Melbourne, June 1992.
Christopher Heathcote, exhibition review, The Age, Melbourne, June, 1992.
Helen McDonald, Dress, (exhibition catalogue), Luba Bilu Gallery, Melbourne, 1992.
Alison Carroll, The Moët and Chandon Touring Exhibition 1992, (exhibition catalogue), Melbourne, 1992.
Ray Edgar, ‘Dress’, exhibition review, The Melbourne Times, Melbourne, June 1992.
Jude Adams, ‘Skin’, exhibition review, Artlink, Vol 12, Adelaide, 1992.
Jyanni Steffensen, Skin, (exhibition catalogue), Contemporary Art Centre of South Australia, Adelaide,1992.
Women’s Resource Centre, Nonagon, Nine Australian Women Artists, slide kit, Melbourne 1991.
Alison Carroll, The Moët and Chandon Touring Exhibition 1991, (exhibition catalogue), Melbourne 1991.
Helen Topliss, ‘Contemporary Issues: the ?fth Moët and Chandon’, Art and Australia, Fine Arts Press, Sydney, Spring 1990.
Graeme Sturgeon, ‘Art: Six names to watch’, Australian Collectors Monthly, Sydney, November-December 1990.
Peter Hennessey and Patricia Piccinini, Sally Smart: The Printed Curtain, (exhibition catalogue),Luba.
Bilu Gallery, Melbourne, April-May 1990.
Judith Womersley, ‘Great Expectations’, The Sunday Age, Melbourne, 7 January 1990.
Christopher Heathcote, ‘The myth of uni?ed mainstream’, Australian Art Monthly, 1989.
Fiona Scott-Norman, ‘House of puzzles’, The Sunday Herald, Melbourne, 19 November 1989.
Katherine Wilson, ‘Next stop New York’, Stages, Victorian Arts Centre, Melbourne, November 1989.
Scott Brown, ‘Sally Smart: X-Ray Vanitas’, exhibition review, Art Beat, Melbourne, April 1989.
Christopher Coventry, X-Ray Vanitas, (exhibition catalogue), Luba Bila Gallery, Melbourne, April 1989.